本帖最后由 罗志海 于 2020-2-2 11:58 编辑
古今平仄新论
罗志海 / 文
一、古音平仄
现代闽南话是古代唐朝话的子方言。现代潮汕话和现代海陆丰话是现代闽南话的子方言、是古代唐朝话的孙方言。这些子孙方言，它们的阴平调调值是33调值（有些方言异读为44调值），发音特点是，起点3，落点也是3。阳平调调值是55调值，发音特点是，起点5，落点也是5。平调读音平缓。由此可见，古代唐朝话阴平调调值是33调值，阳平调调值是55调值，这是毋庸置疑的。 这些子孙方言的仄调呢？它们的仄调有的是降调，如51调，发音特点是，起点5，落点是1；有的是升调，如35调，发音特点是，起点3，落点是5；有的或是降升调，如212调，发音特点是，先由2降至1，然后再升上2。仄调读音不平缓。溯源后，古代唐朝话仄调应有相同的特点，这是不会错的。 这些子孙方言的入调呢？它们的调值一般为2.和5.，有起点，没有落点。读音促狭逼仄。同样地，古代唐朝话入调应有相同的特点，这是不会错的。韵书字典通常把入调列为仄声调。
二、今音平仄
古代唐朝话有阴平、阳平、阴上、阳上、阴去、阳去、阴入、阳入八个调类。现代普通话有阴平、阳平、上声、去声四个调类。 表面看起来，现代普通话阴平阳平是平调，上声去声是仄调。实质上并不是。现代普通话阴平55调值，是真正的平调。而阳平调呢？阳平调调值是35调。很明显，阳平调是仄调而不是平调。阳平调是名存实亡的平调。 三、结论
综上所述，古音平仄是真正的平仄，名符其实。今音平仄不是真正的平仄，名存实亡。 看了这篇帖文后，亲爱的文人骚客们，你们做何感想？你们的平仄理论会不会有所触动修改？
A New Theory Of Ancient And Modern Level And Oblique Tones
by Luo Zhihai
1、Ancient level and oblique tones Modern Minnan dialect is a son-dialectof ancient Tang Dynasty dialect. Modern Chaoshan dialect and modern Hailufengdialect are the son-dialects of modern Minnan dialect and the grandson-dialectsof ancient Tang Dynasty dialect. Their Yin level tonal value is 33 (value of somedialects is 44) and their pronunciation feature is starting point 3 and endingpoint 3. Their Yang level tonal value is 55 and their pronunciation feature is startingpoint 5 and ending point 5. The level tones are flat. Thus it can be seen thatin the ancient Tang Dynasty, the Yin level tonal value was 33 and the Yanglevel tonal value was 55, which is beyond doubt. What about theobliquetones of these son-dialect andgrandson-dialects? Some of their tonal tones are descending tones, such as 51, itspronunciation feature is starting point 5 and ending point 1; some areascending tones, such as 35, its pronunciation feature is starting point 3 and endingpoint 5; some are descending and ascending tones, such as 212, its pronunciationfeature is starting point 2 to 1 and then ascending to 2. the oblique tones isnot smooth. After tracing back to the source, it is not wrong that the oblique tonesof ancient Tang Dynasty should have the same features. What about therutones of these son-dialect andgrandson-dialects? Their tonal values are generally 2. And 5., with a startingpoint and no ending point. The pronunciation is narrow. In the same way, it isnot wrong that therutones of the dialect of ancient Tang Dynasty should have the samefeatures. The dictionaries of rhymes usually lists therutones as theobliquetones. 2、Modern level and oblique tones
In ancient Tang Dynasty, therewere eight kinds of tones: Yin Ping, Yang Ping, Yin Shang, Yang Shang, Yin Qu,Yang Qu, Yin Ru and Yang Ru. Modern Putonghua has four tones: Yin Ping, YangPing, Shangsheng and Qusheng. On the surface, in modernPutonghua, Yin Ping and Yang Ping are level tones and Shangsheng and Qushengare obliquetones. Not really.In modern Putonghua, 55 tonal value of Yin Ping, which is the real level tone.And Yang Ping tone? Yang Ping tonal value is 35. It is clear that the Yang Pingtone is an obliquetones rather than a level tone. Yang Ping tone is a level tone,but ceases to exist except in name. 3、Conclusion
To sum up, the ancient leveland oblique tones are the true tones, which are worthy of their names. Today's leveland oblique tones are not the true level tones. Their names are still inexistence, which are cease to exist except in name. After reading this internetarticle, dear literati and poets, what do you think? Will your theory of leveland oblique tones be touched and modified?
北京时间1/7/2020写 Beijing Time 1/7/2020 wrote
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发表于 2020-2-2 11:46
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